Fast-food restaurants have preferentially recruited adolescent help, at least until recently, because this age group adjusts more easily than adults do to surrendering their autonomy to machines, rules, and procedures. Few skills are required on the job, so workers are asked to use only a minute portion of their abilities. This policy is irrational from the standpoint of the organization, since it could obtain much more from its employees for the money (however negligible) it pays them. These minimal skill demands are also irrational from the perspective of the employees, who are not allowed to think or to respond creatively to the demands of the work.
These restrictions lead to high levels of resentment, job dissatisfaction, alienation, absenteeism, and turnover among workers in fast-food franchises. In fact, these businesses have the highest turnover rate of any industry in the U.S. The entire workforce of the fast-food industry turns over three times in a year. Although the simple, repetitive nature of the work makes it easy to replace those who leave, the organization would clearly benefit from keeping employees longer. The costs of hiring and training are magnified when the turnover rate is extraordinarily high.
The application of the rational model to the house-building process in the 1950s and ’60s led to suburban communities consisting of nearly identical structures. Indeed, it was possible to wander into the residence of someone else and not to realize immediately that one was not at home. The more expensive developments were superficially more diversified, but their interior layouts assumed residents who were indistinguishable in their requirements.
Furthermore, the planned communities themselves look very similar. Established trees are bulldozed to facilitate construction. In their place, a number of saplings, held up by posts and wire, are planted. Streets are laid out in symmetrical grid patterns. With such uniformity, suburbanites may well enter the wrong subdivision or become lost in their own.
Many of Steven Spielberg’s films are set in such suburbs. Spielberg’s strategy is to lure the viewer into this highly repetitive world and then to have a completely unexpected event occur. For example, the film Poltergeist takes place in a conventional suburban household in which evil spirits ultimately disrupt the sameness. (The spirits first manifest themselves through another key element of the homogeneous society—the television set.) The great success of Spielberg’s films may be traceable to a longing for some unpredictability, even if it is bizarre and menacing, in increasingly routinized lives.
Living in a rational society